Special Methods and Main Factors of Art Picture Design and Professional Photographers

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Special Methods and Key Factors of Design Art Drawings and Professional Photographers, and the most successful Photographers of our time. A renowned German photographer with magnificent landscape and architectural photographs, he is the most expensive photo writer in history, Gursky studied in Düsseldorf under the influence of Bernd and Hilla Becher, who are experienced in traditional photography techniques and documentary traditions. But in the mid-nineties, with the advent of digital image processing, Gursky abandoned many documentary photography rules and embraced new technologies to add new and unique dimensions to his work. Although Gursky has never completely abandoned traditional methods that support digital photography, he has incorporated digital design with traditional photography over the past 15 years. Digital processing allows photographers like Gursky to be much more controlled in post-production, not only in terms of controlling colors and lighting but allowing individual elements of the image to be moved, rearranged, or purchased together to create new compositions. This technology gives Gursky the power to “design” its image, creating powerful fiction that combines his personal vision with reality.

Digitally building his image allows Gursky to create new spatial contexts, viewpoints, and geometric constructions that give his work so much impact and make it unique. He can change the proportions of buildings, extend the landscape into sweeping panoramas and fuse elements into a more concentrated design. His works are “fact-based fiction, representation and ideas put together” [Weski T. (2007)]. Although his work seems orderly and often confusing, the digitally constructed point of view no longer follows the optical rules and can feel strange and powerful.

It is debatable whether Gursky photography photography motto exists in documentary tradition. The manipulated image can not be said to be an unfashionable reality image, “a photographic moment that determines its legitimacy and can only exist as a construction” [Weski T. (2007)]. Lack of this validity, or belief in “truth”, photographs are one of the main impacts of digitizing on the ground.

In the early days photographic photography was regarded as the main and objective method to capture reality, without the inaccuracies and subjectivities of the artist’s work. The photographs are considered irrefutable, facts notes, accepted as legal evidence. Because the image was created by the light passing through the lens and reacting with the silver halide particles in the film, it is thought to only create an objective picture of the subject in front of the lens. But as technology gives artistic artistic control to the photographer, the “truth” of photographic images begins to get in the spotlight. With control of framing, viewing angles, composition and often the subject of photographs into products from the perception of the photographer; subjective rather than objective. The captured image can not be considered to convey the objective “truth” of a situation or place from the moment of arrest so briefly and often contrived. Photographers can also make fiction through subject directives, where he has full control to manipulate shots. Although the camera captures an accurate scene representation in front of the lens, the image can not be considered to show greater “truth”, ideas / events can be suggested but the only accuracy is actually shown. “Every photo is accurate, none of them is the truth.” [Richard Avedon].

In the midst of this discussion about the role or indeed the importance of photographic “truth”, the introduction of digital imaging is an important turning point. With editable images on a computer at the pixel level it is now possible for professionals such as Gursky, amateurs, and mass media to easily manipulate images accidentally so that the image is no longer an accurate representation of what lies ahead of the lens.

Programs such as Photoshop also allow easy digital manipulation not only of color, contrast and level but also the whole image. This commercial stands out in the image of the beauty industry mass media, where model and celebrity images can be altered to look more perfect through air brushing, reshaping and even changing characte.

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